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The gaze is direct. Not challenging, not performative. Just there. The wet hair adds a quiet tension—like a moment before movement.
The choice of 510-Pyro gives a subtle grain, soft but present. The Apo-Lanthar 210mm f/4.5 renders the body with clarity, without harshness.
Feng, how did you approach the exposure? Was the light natural, or did you adjust for contrast?